Rajgir, Nalanda (26 September 2025): Nalanda University, in association with the Sangeet Natak Akademi, brought together leading cultural thinkers and artists for a vibrant panel discussion on “Bhagavad Gītā and Nāṭyaśāstra: Cultural Heritage of Humanity,” as part of the ongoing Kala Samvad series.

The event, held at the University’s Mini Auditorium, witnessed a confluence of ideas highlighting the timeless value of India’s artistic traditions.

Presided over by Dr. Sandhya Purecha, Chairperson of Sangeet Natak Akademi, the discussion explored profound connections between the Bhagavad Gītā and Nāṭyaśāstra—two iconic pillars of Indian philosophy and performing arts.

Dr. Purecha elaborated on how the emotional essence (Bhāva) rooted in deep contemplation (Samādhi) gives rise to the aesthetic enjoyment (Rasa), underscoring both texts’ influence on global cultural heritage.

Distinguished speakers brought diverse perspectives to the session:Prof. Godavarisha Mishra, Dean, School of Buddhist Studies, Nalanda University, delved into “The Eternal Living Theatre: The Bhagavad Gītā in the Vision of Abhinavagupta,” presenting the Gītā as a continuous and theatrical conversation.

Praveen Kumar ‘Gunjan’, Director, National School of Drama, Varanasi, spoke on “Experimentation in Nāṭyaśāstra and the Language of Contemporary Indian Theatre,” emphasizing connections between classical theory and modern stagecraft.

Sanjay Upadhyay of Nirmaan Kala Manch, Patna, captivated the audience with a lecture-demonstration on Dhruva Gaan (Ranga-Sangeet), reviving the traditional sounds of theatre music in a spirited live performance.

The program drew an enthusiastic response from students, faculty, researchers, and regional art lovers, reaffirming the growing interest in India’s living cultural legacy.